Authors

John Ruskin
1819 – 1900
John Ruskin was an English art critic and writer whose passionate essays shaped how Victorian Britain thought about art, architecture, and nature. He believed beauty and honest craftsmanship mattered for a healthy society, ideas that deeply influenced his friend William Morris and the Arts and Crafts movement. He also wrote about social and economic issues, arguing that a fair society should care for its workers — his book Unto This Last so moved a young Mahatma Gandhi that he later called it life-changing.
Quotes
“Fine art is that in which the hand, the head, and the heart of man go together.”
“Political economy means, in plain English, nothing more than "citizens' economy"; and its first principles ought, therefore, to be understood by all who mean to take the responsibility of citizens, as those of household economy by all who take the responsibility of householders.”
“And a nation's labour, well applied, is in like manner, amply sufficient to provide its whole population with good food and comfortable habitation; and not with those only, but with good education besides, and objects of luxury, art treasures, such as these you have around you now.”
“Whatever rebuke you would address to the improvident master of an ill-managed patrimony, precisely that rebuke we should address to ourselves, so far as we leave our population in idleness and our country in disorder.”
“The principles which are right in the administration of a few fields, are right also in the administration of a great country from horizon to horizon: idleness does not cease to be ruinous because it is extensive, nor labour to be productive because it is universal.”
“I believe that the masses have a right to claim education from their government; but only so far as they acknowledge the duty of yielding obedience to their government.”
“Fancy what we should have had around us now, if, instead of quarrelling and fighting over their work, the nations had aided each other in their work, or if even in their conquests, instead of effacing the memorials of those they succeeded and subdued, they had guarded the spoils of their victories.”
“Luxuries, whether national or personal, must be paid for by labour withdrawn from useful things; and no nation has a right to indulge in them until all its poor are comfortably housed and fed.”
“A bravo's trade is slaying; but the world has never respected bravos more than merchants: the reason it honours the soldier is, because he holds his life at the service of the State.”
“That country is the richest which nourishes the greatest number of noble and happy human beings; that man is richest who, having perfected the functions of his own life to the utmost, has also the widest helpful influence, both personal and by means of his possessions, over the lives of others.”
“But, practically, the custom in most civilized countries is, for every man to deprecate the interference of Government as long as things tell for his personal advantage, and to call for it when they cease to do so.”
“Duty properly signifies whatever in substance or act one person owes to another, and faith the other's trust in his rendering it.”
“Therefore the first necessity of social life is the clearness of national conscience in enforcing the law--that he should keep who has JUSTLY EARNED.”
“It does not follow, because you are general of an army, that you are to take all the treasure, or land, it wins (if it fight for treasure or land); neither, because you are king of a nation, that you are to consume all the profits of the nation's work.”
“Make your national conscience clean, and your national eyes will soon be clear.”
“Having, then, resolved that you will not waste recklessly, but earnestly use, these early days of yours, remember that all the duties of her children to England may be summed in two words--industry, and honour.”
“First, then, by industry you must fulfil your vow to your country; but all industry and earnestness will be useless unless they are consecrated by your resolution to be in all things men of honour; not honour in the common sense only, but in the highest.”
“Now I just tell you this, that if the usual course of war, instead of unroofing peasants' houses, and ravaging peasants' fields, merely broke the china upon your own drawing-room tables, no war in civilised countries would last a week.”
“Let there be honorary titles, if people like them; but let there be no honorary incomes.”
“Hundreds of people can talk for one who can think, but thousands can think for one who can see. To see clearly is poetry, prophecy, and religion,—all in one.”
“Men were not intended to work with the accuracy of tools, to be precise and perfect in all their actions.”
“It is verily this degradation of the operative into a machine, which, more than any other evil of the times, is leading the mass of the nations everywhere into vain, incoherent, destructive struggling for a freedom of which they cannot explain the nature to themselves.”
“We have much studied and much perfected, of late, the great civilized invention of the division of labour; only we give it a false name. It is not, truly speaking; the labour that is divided; but the men:—Divided into mere segments of men—broken into small fragments and crumbs of life; so that all the little piece of intelligence that is left in a man is not enough to make a pin, or a nail, but exhausts itself in making the point of a pin or the head of a nail.”
“Never demand an exact finish for its own sake, but only for some practical or noble end.”
“Above all, demand no refinement of execution where there is no thought, for that is slaves' work, unredeemed.”
“Choose whether you will pay for the lovely form or the perfect finish, and choose at the same moment whether you will make the worker a man or a grindstone.”
“The ambition of the old Babel builders was well directed for this world: there are but two strong conquerors of the forgetfulness of men, Poetry and Architecture; and the latter in some sort includes the former, and is mightier in its reality; it is well to have, not only what men have thought and felt, but what their hands have handled, and their strength wrought, and their eyes beheld, all the days of their life.”
“God has lent us the earth for our life; it is a great entail. It belongs as much to those who are to come after us, and whose names are already written in the book of creation, as to us; and we have no right, by anything that we do or neglect, to involve them in unnecessary penalties, or deprive them of benefits which it was in our power to bequeath.”
“Men cannot benefit those that are with them as they can benefit those who come after them; and of all the pulpits from which human voice is ever sent forth, there is none from which it reaches so far as from the grave.”
“Every human action gains in honor, in grace, in all true magnificence, by its regard to things that are to come.”
“Therefore, when we build, let us think that we build for ever. Let it not be for present delight, nor for present use alone; let it be such work as our descendants will thank us for, and let us think, as we lay stone on stone, that a time is to come when those stones will be held sacred because our hands have touched them, and that men will say as they look upon the labor and wrought substance of them, "See! this our fathers did for us."”
“For, indeed, the greatest glory of a building is not in its stones, or in its gold. Its glory is in its Age, and in that deep sense of voicefulness, of stern watching, of mysterious sympathy, nay, even of approval or condemnation, which we feel in walls that have long been washed by the passing waves of humanity.”
“What we have ourselves built, we are at liberty to throw down; but what other men gave their strength, and wealth, and life to accomplish, their right over does not pass away with their death; still less is the right to the use of what they have left vested in us only. It belongs to all their successors.”
“Nature is always mysterious and secret in the use of her means; and art is always likest her when it is most inexplicable.”
“If in our moments of utter idleness and insipidity, we turn to the sky as a last resource, which of its phenomena do we speak of? One says it has been wet, and another it has been windy, and another it has been warm.”
“Who, among the whole chattering crowd, can tell me of the forms and the precipices of the chain of tall white mountains that girded the horizon at noon yesterday?”
“Mountains are, to the rest of the body of the earth, what violent muscular action is to the body of man.”
“In the range of inorganic nature, I doubt if any object can be found more perfectly beautiful than a fresh, deep snow-drift, seen under warm light. Its curves are of inconceivable perfection and changefulness, its surface and transparency alike exquisite, its light and shade of inexhaustible variety and inimitable finish, the shadows sharp, pale, and of heavenly color, the reflected lights intense and multitudinous, and mingled with the sweet occurrences of transmitted light.”
“Of all inorganic substances, acting in their own proper nature, and without assistance or combination, water is the most wonderful.”
“And thus you see design, properly so called, is human invention, consulting human capacity.”
“We find that manufacture and art are now going on always together; that where there is no manufacture there is no art.”
“Art may be healthily associated with manufacture, and probably in future will always be so; but the student must be strenuously warned against supposing that they can ever be one and the same thing, that art can ever be followed on the principles of manufacture.”
“Then, secondly, ART is the operation of the hand and the intelligence of man together; there is an art of making machinery; there is an art of building ships; an art of making carriages; and so on.”
“Fine Art must always be produced by the subtlest of all machines, which is the human hand.”
“No machine yet contrived, or hereafter contrivable, will ever equal the fine machinery of the human fingers.”
“Hence it follows that since Manufacture is simply the operation of the hand of man in producing that which is useful to him, it essentially separates itself from the emotions; when emotions interfere with machinery they spoil it: machinery must go evenly, without emotion.”
“Whatever changes may be made in the customs of society, whatever new machines we may invent, whatever new manufactures we may supply, Fine Art must remain what it was two thousand years ago, in the days of Phidias; two thousand years hence, it will be, in all its principles, and in all its great effects upon the mind of man, just the same.”
“So also, in manufacture: we require work substantial rather than rich in make; and refined, rather than splendid in design.”